The Irreplaceable Magic of Live Entertainment

heartbeat

Since the Covid19 lockdown began in Germany, on March 16th 2020, I am couchsurfing… and trying not to go mad.
Here, the borders have opened again on June 15th. But, mostly, I am still on that couch, until next week, when another chapter begins…

Have you been splurging on culture as well during Covid19 lockdown? During the day, I try to be productive. I write, read and watch webinars. In the evenings, I splurge and relax. I watch shows, circus, ballet, operas, theater, and concerts, (as well as tons of movies, and TV series). It’s been my lifeline.

The creative process is so important. As is the collective experience of live entertainment (I do count movie theaters in that, too, even though, of course, actual live shows are the full monty).

When I watch a recorded show online, I try to forget everything else around me. As I begin to watch on my little MacBook Pro screen, I turn off the lights in the room where I’m sitting, put my earphones in, and turn the volume up high to shelter myself from any real-world interruptions. Then, my eyes glued to the screen, I try to forget that I am sitting on a couch all by myself. I try to feel the uncomfortable auditorium seat (preferably in dusty, vintage, red velvet) underneath me, wriggling around to find the right position to be able to enjoy the next two hours without needing a butt or spine replacement after. I try to hear the excited chatter and whispers in the auditorium before the curtain lifts, try to envision the stage, try to see the technicians and performers hiding in the wings, ready to go and do what they love. I try to transport myself to the actual performance. I soak in the vibrations of the concert hall or show venue and smile when the magic on stage unfolds and the virtual audience around me applauds.

In the end, during bows, when a full house of spectators jumps out of their seats for a standing ovation, when applause is rolling through the venue like thunder, I laugh, with tears in my eyes, hoping with all my heart that sooner rather than later I’ll be able to work backstage again. I can’t wait to stage manage shows again to do my little part in contributing to the magic.

And in my private life, I want those concerts, shows (and sold out movie theaters) back, too. I want to throw myself into cultural life, dress up, make an evening of it, feel those goosebumps again, and the elation that always comes when witnessing greatness, heart, and soul on stage.

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