Category Archives: backstage

Step4Circus

My buddy Dave and I are walking for #step4circus, an initiative to get circus professionals back to work. Check out our FB group https://www.facebook.com/groups/3081966308566508/?epa=SEARCH_BOX our GoFundMe campaign https://www.gofundme.com/f/step4circus our website https://step4circus.com/ and our first trailer on YouTube https://www.youtube.com/watch?v=Msf7rKELYxg Support us! Take a step!

The Irreplaceable Magic of Live Entertainment

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Since the Covid19 lockdown began in Germany, on March 16th 2020, I am couchsurfing… and trying not to go mad.
Here, the borders have opened again on June 15th. But, mostly, I am still on that couch, until next week, when another chapter begins…

Have you been splurging on culture as well during Covid19 lockdown? During the day, I try to be productive. I write, read and watch webinars. In the evenings, I splurge and relax. I watch shows, circus, ballet, operas, theater, and concerts, (as well as tons of movies, and TV series). It’s been my lifeline.

The creative process is so important. As is the collective experience of live entertainment (I do count movie theaters in that, too, even though, of course, actual live shows are the full monty).

When I watch a recorded show online, I try to forget everything else around me. As I begin to watch on my little MacBook Pro screen, I turn off the lights in the room where I’m sitting, put my earphones in, and turn the volume up high to shelter myself from any real-world interruptions. Then, my eyes glued to the screen, I try to forget that I am sitting on a couch all by myself. I try to feel the uncomfortable auditorium seat (preferably in dusty, vintage, red velvet) underneath me, wriggling around to find the right position to be able to enjoy the next two hours without needing a butt or spine replacement after. I try to hear the excited chatter and whispers in the auditorium before the curtain lifts, try to envision the stage, try to see the technicians and performers hiding in the wings, ready to go and do what they love. I try to transport myself to the actual performance. I soak in the vibrations of the concert hall or show venue and smile when the magic on stage unfolds and the virtual audience around me applauds.

In the end, during bows, when a full house of spectators jumps out of their seats for a standing ovation, when applause is rolling through the venue like thunder, I laugh, with tears in my eyes, hoping with all my heart that sooner rather than later I’ll be able to work backstage again. I can’t wait to stage manage shows again to do my little part in contributing to the magic.

And in my private life, I want those concerts, shows (and sold out movie theaters) back, too. I want to throw myself into cultural life, dress up, make an evening of it, feel those goosebumps again, and the elation that always comes when witnessing greatness, heart, and soul on stage.

Under the Big Top with Zirkus Knie: Birth of a Passion

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Come run away with me to the circus… in my article on TheatreArtLife, pondering the intricacies of life backstage…

In the words of Geraldine and Franco Knie:
“This is our life. It’s what we grew up with. We don’t know anything else. We learned from an early age that the show takes priority over anything else. You either love it or you don’t. Not everything’s always hunky dory. We’re selling emotions, so we also need to live them and share them.”

Read the full article here.

ELĒKRŎN – The Fast and the Voltaic

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In my latest article on TheatreArtLife, let me lure you into the fast and furious world of ELĒKRŎN, the arena stunt show I worked for in Macau from Nov 2018-July 2019.
“Our performances were a potpourri of color, flying popcorn, and smoking tires, and they came alive with an atmosphere of joyfulness and audacity.”

Read the full article here and enjoy a glimpse into the making of “The Most Electrifying Stunt Show in The World!”

Raging Waves

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Almost three months of working on the ship now, yet I have never felt further away from the ocean. Our ship is a floating entertainment park… with no access to the true authentic beauty all around us. I long to taste the salty freshness of the big blue on my lips and all over my body. Long to feel the sensation of peacefulness, invigorating energy, and freedom I’ve always associated with the wide open seas.
That being said, working on a cruise ship is a valuable life experience I am determined to treasure. As a stage manager, I am learning an abundance of useful skills managing the onboard Aqua theater. The pressure onboard is relentless. Work never stops… to such an extent that even brushing my teeth in one go without being interrupted by phone calls becomes a challenge. Additionally, working with people from over seventy different countries tops all international experiences I’ve been exposed to thus far. As difficult as it gets sometimes to juggle a myriad of mentalities, I treasure the slowly blooming friendships with people all over this gigantic ship, as we meet each other for a few seconds in between chores. Room attendants waving and fist bumping with me as I am running to my control booth before the show. Maintenance men smiling in the hallway, forgiving me for calling them at odd hours in the middle of the day and night for technical issues in our theater. On a daily basis, life lessons keep building up in tune with the raging waves of the seas all around me. I am trying to take them in stride. Failing on some days, succeeding on others.

Don’t Wear That Hat

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My latest article on TheatreArtLife. The wondrous world of theatre superstitions and how they came about. Read the article here.

My second book is still in the works as well, just in case you were wondering. I know I am painfully slow. Bear with me. It’ll be out there within the next couple years! A work of fiction this time (based on true events).

A Brief History of Cirque du Soleil

If you are interested in stories about theatre shows and the arts, then this might be something for you: I regularly write articles about life in the entertainment arts here on TheatreArtLife.

My latest contribution is perfect for you if you feel like diving headlong into a bit of entertainment history… more specifically: A Brief History of Cirque du Soleil.

It by no means claims to be complete. Rather, I want to take a moment to give a rough overview, to celebrate an entertainment giant which has touched many of our lives throughout its brilliant existence. Simply put, it all began with two men – Guy Laliberte and Gilles Ste-Croix – and their vision.

Ste-Croix jokingly puts it this way: “I always say Guy Laliberte founded Cirque du Soleil, but I founded Guy Laliberte. He’s the father of Cirque. I’m the grandfather.”

Go here to read the full article. Enjoy!

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Picture source: @TheatreArtLife

The Importance of Kindness

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My latest article for TheatreArtLife. Enjoy 😊

“There aren’t many communities like the entertainment industry, where individuals from multiple backgrounds, languages, and nationalities come together to collaborate intensely in order to deliver a product. Add to this the different mentality and beliefs of each person. And an intimacy backstage which far surpasses any work environment you will find, let’s say, in an office building. Plus, the fact that there is often little to no privacy before and after work, when housing is being organized for us by our company. People from all walks of life are being thrown together without much opportunity to get out of each other’s way…….”

Read the full article here on TheatreArtLife!

Cultural Deer

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In 2013, I was able to spend a couple months at the Banff Centre in Alberta, Canada. I’ll never forget my time there. On my daily walk up the mountain from home to the theatre, the cold, fresh air did not only clear my lungs but also my mind. Each time I stepped outside through stage door, I would bump into deer, casually sifting through the underbrush surrounding the centre. Who knows, maybe this was just the deers’ way of sneaking in to graze on a bit of culture without paying for a ticket?
Stepping back into the building, I had the privilege to observe a myriad of cultural events backstage. Entertainment professionals generously shared their experiences with me. I learned heaps about theatre management and marvelled at the strong sense of collaboration I found at the Banff Centre. Some day, I need to return there. They offer residencies for writers and I imagine finishing one of my future creations surrounded by brisk mountain air, in one of my favourite places on Earth.