It’s been eight months now since I came back to Zurich. A place which has been my home two times before already. All in all, this is my 19th year here. It is more home than any other place on Earth, and yet I struggle to relax into it.
Over the last thirty years, I’ve grown and learned in so many places around the world. Besides Switzerland, I’ve lived and worked in the US, Germany, Maldives, Belgium, Macau, Hong Kong, Canada, Malta, France, and the Caribbean.
Of all those places, I guess I miss Macau the most. Its climate, its culture, its people, and its food. And, with it, also my intensive life there working for large-scale circus and stunt shows.
In the spring of 2020, my greatest dream almost came true. After 11 years of working backstage and a good 5 years of applying for every stage management job Cirque du Soleil advertised, I was finally interviewed by them. For Nysa, their coming resident show in Berlin.
I got through the first interview ok, was shortlisted and invited for a second interview.
Then, just 3 days before this second interview and just before a very real chance to finally work for the company I had dreamed about ever since I was 21 years old and experienced them for the first time (in 1992), all Cirque du Soleil shows around the world were shut down due to Covid19. All interviews were cancelled as well.
Now, Cirque du Soleil shows are slowly reopening. But Nysa has been cancelled. And, I remain an outsider, not part of any clique or network. My chances of realizing this lifelong dream again looking slim at best.
Starting a new life here in Zurich, I’ve begun working as something akin to executive assistant for a management consulting company. I work for nine people at the same time. And, astonishingly enough, the job content is eerily similar to the admin part of working as a stage manager for large-scale shows.
There is also the same sense of urgency, the same unpredictability, constant changes, thinking on your feet, everything coming in late but needing to be done yesterday. And this sense of never quite knowing what the day or week will bring.
The one big difference is that now there is no instant gratification. As a stage manager, I am backstage in the evenings, after a day of admin, and see firsthand what I am working for. I feel the audience, the performers, the entire atmosphere backstage and onstage and I know I am making a difference. I know what I am working for.
Now, everything is abstract. I have an endless list of tasks, but do not hear if anything I have done actually helped towards the success of the project. I do not even hear if the project was successful in the end at all.
That being said, my job is never boring. The company climate is great. And the team is as good as it’s ever going to get, compared to everything else in my 32 years of work experience. So, I am in a good space.
At the end of the day, I guess I am simply homesick. Missing my home in Macau, in Coloane village, a small fishing village where at this time of year, I’d see millions of dragon flies soaring through the evening skies. And I’d sit on my rooftop after a long hard day, gazing at the stars, and having impromptu conversations with friends.
I am homesick for tropical climates, the cold beer in the evening which never tastes better anywhere else, and the local street food sold by my neighbors.
I am easing back into the structured perfection of Central European life. All the while realizing that a huge part of my heart will forever long for those places, experiences, and people I had to leave behind on the other side of the world.
Don’t get me wrong. I am happy where I am. Happy in the moment. Content gardening on my terrace, feeling the loving presence of the street cat I rescued 10 months ago. My memories of all that was before sustaining me.
But there also is a yearning. Missing something that might be forever a thing of the past.
I wonder if this is part of the human condition. Part of the condition of travelers. Or just part of my condition. To become so much a child of the world that the ache for faraway places becomes permanent.
In my case, it is a double ache. For life backstage, helping to create magic onstage. And for a life in exotic places where material safety and structure are not a given. Where typhoons muscle their way through the city, expats tell each other wild stories, and nothing is ever quite easy, comfortable, and secure.
These aches might be a permanent fixture in my life. But I am so grateful for them. I wouldn’t want to miss a second of all the experiences I was lucky to have thus far, all over the world. Even if it means that somewhere, in the deepest recesses of my heart from hereon out I will always be homeless, or at home everywhere at once. Whichever way you want to look at it.
(The elephant seen in a local forest around Zurich. A little taste of places yet to be discovered for young adventurers travelling in their minds on the back of stone elephants to far away destinations.)
Liam Klenk 