Ever wondered when the first aquatic theatres with moving lifts were built? When the first performer fell off a bridge into an artificial lake beneath? Or how it felt to be underwater with wild circus cats, goats, and pigs?
Aquatic circus shows are technological wonders of our time… or so we think.
In this stunning historical deep dive, find out more about the origins of aquatic theatres. Find out when it all began. Discover when moving lifts, deep aquatic pools, and water effects like jets and fountains began to be implemented in custom-built circus arenas around the world…
Come run away with me to the circus… in my article on TheatreArtLife, pondering the intricacies of life backstage…
In the words of Geraldine and Franco Knie:
“This is our life. It’s what we grew up with. We don’t know anything else. We learned from an early age that the show takes priority over anything else. You either love it or you don’t. Not everything’s always hunky dory. We’re selling emotions, so we also need to live them and share them.”
Check out my latest article on TheatreArtLife.
If you’ve always wanted to know what it is show divers actually do in their daily work, then this one is for you! Both, Part 2 (and Part 1 I wrote a few months prior) give you unique insight into a world usually hidden from sight – for, like everyone else backstage, our prime goal is to remain invisible at all times, while helping to create magic on stage.
Big thanks to Theatre Art Life for featuring me in their “A Moment With” series. How did I start my career? What was the best role/job/gig I have done and why? What advice would I give my 18-year old self? … and many other interesting questions. Read all about it here …
Once you have worked underwater, you’re forever changed. It never lets you go. Every day, every minute, I am longing to dive again, to immerse myself, to ride exhilarating currents, to marvel at the beauty of underwater existence.
After working for many years as an instructor and guide in the Indian Ocean, I came to work in an entirely different environment: In ‘The House of Dancing Water’ in Macau. It was magic of a different kind, yet just as breathtakingly beautiful. In my latest article for TheatreArtLife I am giving you a first glimpse of what it was like to work there as a show diver…
My latest contribution on TheatreArtLife. Remembering when I immersed myself in a Hong Kong Chinese theatre production. I worked backstage, with barely a clue what was going on. It was an unforgettable experience. Because, as I mention in the short story as well, there is nothing more valuable than opening your mind, letting go of everything you think you know, and thoroughly exposing yourself to living and working in a foreign culture.
New article of mine on TheatreArtLife.
People often assume nomads like me aren’t afraid of moving from one country and opportunity to the next. Well, I can’t speak for all the other nomads and expats out there, but I am certainly always dealing with a mix of excitement and fear when I head out into the unknown. It’s an emotional cocktail I’ve come to recognize as a precursor to turbulence and exponential growth. As the saying goes “A ship in harbor is safe, but that is not what ships are built for.”